Growing Up

We're opening doors, Singing, "Here we are!"

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sammiwinchester:

hxcfairy:

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inlaterdays:

thegregariousindian:

evangelineviola:

nicci-mac:

Who kidnapped Mrs Hudson????

You know, I am the first to admit that I tend to notice the wierdest shit, but this one takes the biscuit.

In the graveyard scene, as Mrs Hudson walks away, she pauses for a moment, turns to look back at John, and then as she turns away again, a mysterious hand shoots out and drags her  behind a grave stone.  

as ian hallard said

DID YOU SEE THE MRS HUDSON CLUE

WHSTHES UTHRSDGH ASDKGCNF

Everyone but John probably knows that Sherlock’s alive. TT_TT Poor John.

HOLY SH—

I’d like to say it looks less like a drag, more like a guiding hand.

I don’t even watch Sherlock, but from what I gather, maybe it’s Sherlock trying to guide Mrs Hudson away before she goes back and tells John he’s actually alive. And the reason he’s there is because he wants to hear what John really says and thinks about him because John might be the only person he didn’t fully understand, you know?

ahhh! the clue!!!! the clue!!!!

(via anxie-tea)

5 notes

ryangoslingartsadmin: Hey Girl. I know it’s a bit wordy. Hope you can forgive me! Edited to add: Hey Girl, just to clarify, I know that the shows matter…. as someone on Facebook helped me to clarify - what I’m saying is that if shows a, b, and c provide the same level of artistic fulfillment, ticket sales, and donations, then it doesn’t matter which of those shows we pick.

ryangoslingartsadmin:

Hey Girl. I know it’s a bit wordy. Hope you can forgive me!

Edited to add: Hey Girl, just to clarify, I know that the shows matter…. as someone on Facebook helped me to clarify - what I’m saying is that if shows a, b, and c provide the same level of artistic fulfillment, ticket sales, and donations, then it doesn’t matter which of those shows we pick.

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Joan: That’s tempting. But I like hotels. You leave with the same things you came in with. And little soaps. I love those.
Roger: I wish I knew what you wanted, Joannie.
Joan: I love this, Roger. But, a week is a considerable length of time, and, I have my own world. I go out, I have parties, I have friends over…­
Roger: Male friends?
Joan: Yes.
Roger: I don’t want to hear this.
Joan: Carol and I have a nice little rotation.
Roger: The disaster?
Joan: I’ve known Carol since college and she’s been a good friend to me. She’s very bright. And she’s neat.
Roger: So you think you’d be lonely?
Joan: I think it’d be half as much fun alone.
Roger: You could get a bird. They’re fairly neat for animals.
Joan: Oh Roger, if you had your way I’d be stranded in some paperweight with my legs stuck in the air.
Roger: You’re just gonna paint that picture and go, huh?
He rolls over on top of her, loosening her hair. She smiles, strokes his ·face.
Joan: Can’t we just enjoy this? I mean, we both know eventually I’ll find a more permanent situation and you’ll find a new model. The ‘61’s are coming out soon. I hear the fins are going to be bigger next year.
Roger: Whatever you want, Red.

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Cooper: Miss Holloway, I know it’s none of my business, but you could do a lot better.

Joan: He’s just a friend.

Cooper: That’s not what I’m talking about, my dear. Don’t waste your youth on age.